Saturday, 23 March 2019

My Husbands Wives - blog tour



BLOG TOUR

My Husband’s Wives by Faith Hogan

About the author
Faith lives in the west of Ireland with her husband, four children and two very fussy cats. She has an Hons Degree in English Literature and Psychology, has worked as a fashion model and in the intellectual disability and mental health sector. 

Follow Faith: 
Twitter: @GerHogan
Facebook: @faithhoganauthor

About the book
Is it better to have loved and lost, then never to have loved?
Paul Starr, Ireland's leading cardiologist, has died in a car crash with a pregnant young woman by his side. A woman who is not his wife.
Evie, Grace and Annalise never thought they'd meet, but now they have to uncover the truth of their pasts. And suddenly they find themselves united by a man they never really knew at all.
As these women begin to form unlikely friendships they discover that Paul's death could prove to be the catalyst they needed to become the people they always wanted to be...

A heart-warming story of love, loss, family and friendship. A compelling debut for fans of Sheila O'Flannigan, Veronica Henry and Jane Fallon.

Buy Links:
Amazon: https://amzn.to/2H1j6DM
Kobo: http://bit.ly/2NMQdfm
Google Play: http://bit.ly/2TBnv6A
iBooks: https://apple.co/2Ut8y3i
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Extract

1
Grace Kennedy
Paul Starr was tall – well, anyone was tall to Grace – he might have been gangly, but his thick dark flop of hair and chestnut eyes distracted her from noticing. His smile was easy, his voice low so it made her lean closer; she was charmed instantly. He was the most successful surgeon in Ireland. He was confident, sophisticated and, rumour 
had it, married. Grace knew who he was. Everyone in Ireland knew who he was. It was said that he was responsible for keeping a former U.S. President alive, as well as half the royal family over sixty.
‘You don’t want to believe everything you read,’ he said, and she realized that she’d never felt so equal to anyone who towered over her so much. She was used to being the short one; five foot just, before she put on her heels. She fingered the amulet that hung always at her neck. It was her father’s; a token to enhance the artist within. 
Its green gemstone brought out the emerald of her eyes and it made her feel safe, as though her father was still near. 
‘Who said I’d be reading about you?’ She couldn’t help fidgeting with her long dark hair any more than he could stop his eyes drinking in every moment of her.
‘This is impressive.’ He waved a hand about the exhibition. It was her second in a year. She felt she’d rushed it, but maybe some things were meant to be. They stood for a few minutes, making small talk. He wasn’t a collector – she could spot them a mile off – not of art anyway. She was about to move away, but he reached out, touched her lightly on the arm. The silver stacking bracelets that she wore jangled, the only sound between them that mattered in the crowded room. The effect was electrifying. ‘I’m just looking at this one…’ He walked towards a watercolour she’d 
painted two winters earlier, a stark white lighthouse against the rocks and grey waves of the western coastline. ‘It’s breathtaking.’ He caught her eye as he murmured the words. The look sent ripples of what she supposed was desire through her; she’d 
never felt anything like it before in her life. ‘I’m making changes,’ he said, moving closer to her so his voice was little over a whisper. ‘Making changes and it might suit; do you think anyone has their eye on it, yet?’
‘I wouldn’t know,’ she smiled at him, flirting in some strange subconscious way, couldn’t stop herself, even though she’d spotted his wedding ring immediately. 
‘You’d need to talk to Patrick.’ Her eyes skimmed the room for Patrick Marshall. 
Usually she could find him easily – he was never far away. His languid easy pose tended to dominate whatever space he was in, and she spotted him now surrounded by a coterie of enchanted hangers-on, regaling them with one of the funny stories he always had to hand. He was all she had here; Patrick knew this without ever having to 
mention it. ‘Oh, he looks busy. Anyway, you can always leave your name with the gallery.’
‘Perhaps I could commission a piece for my rooms,’ he smiled, catching her by surprise, ‘…at the clinic.’ His voice was light, she guessed they were a similar age, but she had a feeling he knew much more of life than she. He reached into his pocket; 
he wore an elegant off-the-peg navy jacket that moved fluidly. ‘Take my card. Maybe you could drop by, if you’re passing. We could…’ his eyes held an unmistakeable promise, ‘…have coffee.’
Grace wasn’t sure how she managed to walk away from him, but she made it to the other side of the room, her legs like jelly, her stomach a wasp’s nest of restless commotion. She silently cursed herself. The last thing she needed was to fall for a married man. She’d stay well clear of him, or so she told herself. She sipped sparkling wine gently – there were still speeches to be made, people to talk to, sales to close. 
Even if there weren’t, she’d had enough of being attached to people. She’d spent a lifetime taking care of her sisters and her mother. Her father had taken the easy way out – a double barrel, kept for foxes, in the end. She’d been the one who found him in his studio. He’d probably wanted it to be her. ‘You’re the strong one, Grace.’ He’d said it so many times. In the end, it was all she could remember of him. She’d spent almost ten years being the one who had to hold it together. All the time, her mother descended further into a bleak haze, clouded by prescription drugs for a series of spurious health problems, one of which would surely stick, someday. Grace got out at twenty-three. It took almost two years to make the break completely, for them to understand that they 
were on their own. She did what she could. It was either get away or die slowly, as her mother seemed intent on doing.

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